Teaching > Syllabus : CA 506 Gender (Fall 2004)
Course Description

This course considers how gender is created, maintained, repaired, and transformed through communication in particular relational, cultural, social, and historical contexts.

We examine a variety of topics including the relationship between sex and gender, verbal and nonverbal communication, cultural mythologies regarding gender, gender at home, in educational settings, and in the media, and tactics for resisting and recreating gender conventions. Through readings, class discussions, and course assignments, we explore the consequences of social constructions of gender for identity, relationships, and culture.

This course fulfills course credit in the communication practices area of the Communication Arts major and in the Women's Studies minor.

Course Objectives

In this course, we will:

  • Examine the concepts of sex and gender.
  • Critically assess a variety of theories about gender paying particular attention to social constructionist, symbolic interactionist, and feminist approaches.
  • Develop our understanding of the cultural mythologies informing notions of masculinity and femininity
  • Explore and assess the ways in which gender is articulated in specific relational contexts.
  • Examine a variety of strategies for challenging, resisting, subverting, and transforming conventional conceptions of gender and sexuality.
  • Identify and evaluate our personal beliefs about gender and how they affect our lives.
  • Develop critical and creative thinking skills.
Warning!!!

You can expect that a course about gender will push some of your buttons. We explore very personal ideas and feelings regarding gender. You must be intellectually and emotionally prepared to delve into these issues. Please enter this class with care for your own beliefs and feelings, and the beliefs and feelings of others.

Additionally, in our efforts to thoroughly consider gender, we might read material and/or engage in class discussions exploring theories and concepts you find offensive. This is particularly true when we talk about sexuality, pornography, and domestic violence. In anticipation, let me offer two comments. First, the development of critical thinking skills requires a willingness to explore new ideas with an open mind. Second, if something really offends, you have the option to leave class and we can discuss a make-up assignment.

Finally, I welcome your comments about course material and classroom interactions. Please make use of my email and office hours.

Course Readings

The following books are available for purchase at the UNHM bookstore:

  • hooks, bell. (2000) Feminism is for Everybody. Cambridge, MA: South End Press.
  • Wood, Julia T. (2004) Gendered Lives: Communication, Gender, and Culture. Belmont, CA: Wadsworth.

Additional readings will be placed on Blackboard. Some of these are required and others are recommended (as indicated below). I encourage you to read as much course material as possible. I will also give you handouts from time to time.

Blackboard

This semester, we will be using Blackboard for the distribution of course readings, assignments, and announcements. We will fully discuss the use of Blackboard during class.

The following two links will help you find and negotiate Blackboard. For those who have not already used Blackboard, I will provide necessary login information. If you have used Blackboard before, you can use the same login information.

Course Assignments

Course grades will be determined as follows:

Quizzes: 10%
  10%
Journal (collected three times):
  3 x 10% =30%
Mid Term Exam:
  20%
Final Exam:
  25%
Class Participation:
  15%

Quizzes (10%):

Quizzes will be given to assess your understanding of course readings and will include true/false and short answer items. Quizzes will be unannounced. Expect approximately five quizzes during the semester. I will drop your lowest quiz grade.

Journal (3 x 10% = 30%):

Over the course of the semester, each student will keep a course journal. Use your journal to write about ideas and feelings you have regarding course material. Please feel free to use your journal to explore perspectives you don=t feel comfortable discussing in class.

Journal entries will give you the opportunity to react to the concepts and theories about gender discussed in class meetings and course readings. In addition, you should use your journal to consider issues you might encounter regarding gender and communication in popular culture (films, magazines, television shows, newspapers, music, toys, children’s books, cartoons, the Internet, etc.) and in daily interactions at home, work, and school. I will post a list of possible journal topics on Blackboard.

Your journal may take a variety of forms. I am open to any form you may choose. For example, you might consider structuring journal entries based on a series of statements: What I did. What I learned. How I can use it. You might also use a journal entry to discuss a particular quote about gender and communication you find compelling. You might write an analytical essay, a story, or a poem. Entries may also be based on your discussion of visual material from the realms of art and advertising. You might also use your artistic talents to create images that address course material. Finally, I encourage you to think of your journal as a scrapbook that might include written and visual materials from popular culture. I don't expect you to cover each of the readings from class, but I do expect you will react to 50% of them.

Please use a notebook or other bound book for your journal. Journals may be handwritten. Journal entries are informal though grammar, spelling, punctuation, and organization do count in the grading process. I am most interested in the seriousness and depth of your engagement with course material. In particular, I am looking for you to critically and creatively apply course material to your experiences and the world around you in ways that are insightful and productive. As you consider writing on a particular topic, you might ask yourself why you believe the topic is an important one to address.

You should write at least one journal entry per week. That entry should be at least 250-300 words in length. You must directly address course readings in at least 50% of these entries. In addition, I will give you assigned journal topics to write about at various points during the semester. These will be IN ADDITION TO your weekly entries and should also be 250-300 words in length.

We will discuss the journaling process in class to clarify any questions or concerns that might arise. I will collect and grade journals three times during the semester.

Mid-Term Exam (20%):

The mid-term exam will include multiple choice, true/false, short answer, and essay questions. The exam will be based on class discussions and course readings.

Final Exam (25%):

The final exam will be a comprehensive, in-class short answer and essay exam. I will distribute essay questions one week prior to the final. You will be allowed to bring in notes, articles, books and other resources to the exam. All essays MUST be written in class.

Class Participation (15%):

Learning is an active process in which we all participate. Viewing learning as an active process implies several significant distinctions between many traditional classroom interactions and what I hope this course will become for us. First, an active process suggests the importance of understanding and experiencing ideas as they relate to our own lives, rather than just remembering a list of facts. This course will provide us plenty of material upon which to reflect as we consider the role of gender in our lives.

Second, a process continually evolves with no clear beginning or end. Hence, this course will become a dialogue among all of us as we reflect upon the material presented and its relevance to our experiences. Such a conversation includes responsibilities to which we must all agree. Clearly, our initial responsibility includes being in class regularly. But merely being in class is not enough. Being prepared for class is also necessary. A quick reading of the assigned material will do little to prepare for class.

An additional important responsibility involves a willingness to be open. Each of us will consider the thoughts and ideas of others both in the readings and in class discussions. If there are twenty of us in this course, then there might be at least twenty different perspectives. No one experience or standpoint is more valuable than any other. You may not agree with the views expressed by others in the course, but we must all agree to respect each individual's right to have and share her/his own opinions. Hearing and listening to the perspectives of others should do nothing more than create greater understanding of the diversity of experience in contemporary society.

Finally, self-disclosure is not a prerequisite for this class. You are not expected to share intimate details of your life. But if you feel comfortable doing so, you can expect your classmates (and me) to respect your privacy. Any personal information shared during this class will remain private.

Simply stated, THIS IS YOUR CLASS so your participation is essential! The more voices heard the better. But don=t forget, quality matters. Every so often, I will give you short creative assignments that will be completed either in class or at home. These assignments will be graded on a pass/fail basis and will count toward your participation grade.

Grading Criteria

Grades are earned based on the following scale:

A (94 and above): Extraordinary
A- (90-93): Exceptional
B+ (87-89): Superior
B (84-86): Great
B- (80-83): Very Good
C+ (77-79): Good
C (74-76): Average/Satisfactory
C- (70-73): Below Average
D+ (67-69): Inferior
D (64-66): Unsatisfactory
D- (60-63): Very Unsatisfactory
F (59 and below): Unacceptable and Failing

Attendance Policy

You are expected to attend each and every class. Of course, we all have lives beyond this class. Given that reality, each person receives one complementary absence. I don’t need to know where you were or why you couldn’t attend class; I will assume you had a perfectly good reason. However, if you are absent more than once, I reserve the right to lower your grade by one letter grade for EACH additional absence. Bottom line: if you miss more than one class, you probably want to talk with me.

Assignments are due at the beginning of the class period. Late assignments will not be accepted. There are no make-up quizzes. If you know that you will be unable to take the mid-term exam or final exam on the scheduled date, you must make arrangements for a make-up exam at least TWO WEEKS in advance. Exam make-ups due to illness or emergency will be considered on a case-by-case basis.

Assistance

I am ready, willing, and able to help you with your questions and concerns regarding the course. Please feel free to see me during my office hours, to call me at 641-4106, or to email me at bjago@comcast.net.

Additionally, the Learning Center provides tutoring services. I strongly encourage you to take advantage of the resources available there. You can reach the Learning Center at 641-4113.

Student Conduct

UNH’s Student Code of Conduct and Judicial Process states that, “community standards of behavior are intended to preserve and protect the University’s educational mission of teaching, research, and public service, as well as promote every student’s academic achievement and personal development. To attain these aspirations, students must live, work, and learn in an environment of civility and respect where both rights and responsibilities are deeply valued and highly cherished.”

In light of the Student Code, the following rules are in effect for this course:

1. The use of cell phones or pagers during class is not allowed. Please turn them off for the duration of class meetings.

2. Disruptive conversation is forbidden. If you aren’t talking about course material, you shouldn’t be talking during class.

3. Please come to class on time. Lateness will not be tolerated.

4. Cheating, plagiarism, or other forms of academic dishonesty are strictly forbidden.

Violations of the above rules will be handled on a case-by-case basis. Penalties might include: a reduction in your class participation grade; a failing grade on an assignment; a failing grade for the course; or a formal charge resulting in University disciplinary proceedings. I reserve the right to ask any student to leave class if his/her behavior disrupts the educational process.

Course Schedule

W Sept 8: Course Introduction: Communication, Gender, and Culture
READ:
-Introduction and Chapter 1 in Wood
-Maggie Jones, “The Weaker Sex”
WRITE: Weekly Journal Entry #1

W Sept. 15: Theory: Sex and Gender
Guest Speaker: Dr. Steve Pugh, Associate Professor of Biology, UNH Manchester
READ:
- Chapter 2 in Wood
-Andrew Sullivan, “The He Hormone” (Assigned Journal Entry #A)
-Anne Fausto-Sterling, "The Five Sexes Revisited"
-Gloria Steinman, "If Men Could Menstruate"
IN-CLASS FILM: The Smell of Burning Ants
WRITE: Weekly Journal Entry #2

Sept 22: Politics of Gender
READ:
- Chapter 3 and Chapter 4 in Wood
-hooks vii-24
-Elizabeth Cady Stanton, “The Solitude of Self”
-Michael Messner, "Men and Masculinities” (recommended)
IN-CLASS FILM: Get On The Bus
WRITE: Weekly Journal Entry #3

W Sept 29: Language
READ:
- Chapter 5 in Wood
-Dale Spender, Extracts from Man Made Language
IN-CLASS FILM: The Vagina Monologues (Assigned Journal Entry #B)
WRITE: Weekly Journal Entry #4

W Oct 6: Nonverbal Communication
READ:
-Chapter 6 in Wood
-hooks, 31-36
-Stephen S. Hall, ABully In The Mirror@
-Ray Birdwhistell, "Masculinity and Femininity As Display"
WRITE: Weekly Journal Entry #5
DUE: Journal Due (#1-4 AND A-B)

W Oct 13: Mid-Term Exam

W Oct 20: Family
READ:
-Chapter 7 in Wood
-hooks, 72-76
-Helen Cordes, "There Is No Such Thing As A Mothering Instinct"
-David Popenoe, "Modern Marriage” (Assigned Journal Entry #C)
WRITE: Weekly Journal Entry #6

W Oct 27: Close Relationships and Sexuality
READ:
-Chapter 8 in Wood
-hooks, 85-92
-Benoit Denizet-Lewis, “Friends, Friends With Benefits and the Benefits of the Local Mall” (Assigned Journal Entry #D)
-Robert Jensen, "Patriarchial Sex"
-Boston Women's Health Collective, "Sexuality" in Our Bodies, Our Selves (recommended)
IN CLASS MUSIC: “Sex Songs”
DUE: Weekly Journal Entry #7

W Nov 3: Gender in Education
READ:
-Chapter 9 in Wood
-Adrian Nicole LeBlanc, "The Outsiders"
-CBS Worldwide, "The Gender Gap: Boys Lagging"
-Susan Faludi, "The Naked Citadel" (recommended)
IN CLASS FILM: Mean Girls
WRITE: Weekly Journal Entry #8

W Nov 10: IN CLASS FILM: Boys Don’t Cry (Assigned Journal Entry #E)

Nov 17: Gender and the Media

READ:
-Chapter 11 in Wood
-hooks, 31-36
-Jennifer Bleyer, “Cut and Paste Revolution”
IN-CLASS FILM: Tough Guise
WRITE: Weekly Journal Entry #9
DUE: Journal Due (#5-8 AND C-D)

W Nov 24: Gender and Power
Guest Speaker: Sara Kelsea, Outreach Coordinator, Sexual Harassment and Rape Prevention Program (SHARPP), University of New Hampshire, Durham NH
VISIT:The SHARPP Website at: http://www.unh.edu/sharpp/index.html
READ:
-Chapter 12 in Wood
- hooks, 61-71
-NH Commission on the Status of Women, “A Legal Handbook For Women in New Hampshire”
-John Stoltenberg, "Why I am Not A Rapist!= Why College Guys Are Confronting Sexual Violence"
-Paula Kamen, "Acquaintance Rape Revolution and Reaction" (recommended)
-Elana Zeide, "Interviewing the Vamp: Camille Paglia speaks to the Journal" at http://www.yale.edu/yje/paglia.html (recommended)
-U.S. Department of Justice, "Violence Against Women": http://www.ojp.usdoj.gov/bjs/abstract/femvied.htm (recommended)
WRITE: Weekly Journal Entry #10

W Dec 1: Gender Transformations and Queer Theory
READ:
- “Epilogue” in Wood
-hooks, 110-118
-Beniot Denizet-Lewis, “About a Boy Who Isn’t” (Assigned Journal Entry #F)
-Eve Kosofsky Sedgwick, “Gosh, Boy George, you must be awfully secure in your masculinity”
-Lois Gould, “X: A Fabulous Child’s Story” (recommended)
IN-CLASS FILM: You Don't Know Dick
WRITE: Weekly Journal Entry #11

W Dec 8: IN CLASS FILM: Gaudi Afternoon
Journal Due (#9-11 AND D-F)
Exam Essay Questions Distributed

W Dec 15: Final Exam