This course considers how gender
is created, maintained, repaired, and transformed
through communication in particular relational, cultural,
social, and historical contexts.
We examine a variety of topics including
the relationship between sex and gender, verbal and
nonverbal communication, cultural mythologies regarding
gender, gender at home, in educational settings, and
in the media, and tactics for resisting and recreating
gender conventions. Through readings, class discussions,
and course assignments, we explore the consequences
of social constructions of gender for identity, relationships,
and culture.
This course fulfills course credit
in the communication practices area of the Communication
Arts major and in the Women's Studies minor.
In this course, we will:
- Examine the concepts of
sex and gender.
- Critically assess a variety of
theories about gender paying particular attention
to social constructionist, symbolic interactionist,
and feminist approaches.
- Develop our understanding of the
cultural mythologies informing notions of masculinity
and femininity
- Explore and assess the ways in
which gender is articulated in specific relational
contexts.
- Examine a variety of strategies
for challenging, resisting, subverting, and transforming
conventional conceptions of gender and sexuality.
- Identify and evaluate our personal
beliefs about gender and how they affect our lives.
- Develop critical and creative thinking
skills.
You can expect that a course
about gender will push some of your buttons. We explore
very personal ideas and feelings regarding gender. You
must be intellectually and emotionally prepared to delve
into these issues. Please enter this class with care
for your own beliefs and feelings, and the beliefs and
feelings of others.
Additionally, in our efforts
to thoroughly consider gender, we might read material
and/or engage in class discussions exploring theories
and concepts you find offensive. This is particularly
true when we talk about sexuality, pornography, and
domestic violence. In anticipation, let me offer two
comments. First, the development of critical thinking
skills requires a willingness to explore new ideas with
an open mind. Second, if something really offends, you
have the option to leave class and we can discuss a
make-up assignment.
Finally, I welcome your comments
about course material and classroom interactions. Please
make use of my email and office hours.
The following books are available for purchase at
the UNHM bookstore:
- hooks, bell. (2000) Feminism
is for Everybody. Cambridge, MA: South End Press.
- Wood, Julia T. (2004) Gendered
Lives: Communication, Gender, and Culture. Belmont,
CA: Wadsworth.
Additional readings will be placed on Blackboard.
Some of these are required and others are recommended
(as indicated below). I encourage you to read as much
course material as possible. I will also give you
handouts from time to time.
This semester, we will be using
Blackboard for the distribution of course readings,
assignments, and announcements. We will fully discuss
the use of Blackboard during class.
The following two links will help
you find and negotiate Blackboard. For those who have
not already used Blackboard, I will provide necessary
login information. If you have used Blackboard before,
you can use the same login information.
Course grades will be determined as
follows:
Quizzes: 10% |
|
10% |
Journal (collected three times): |
|
3 x 10% =30% |
Mid Term Exam: |
|
20% |
Final Exam: |
|
25% |
Class Participation: |
|
15% |
Quizzes will be given to assess your
understanding of course readings and will include true/false
and short answer items. Quizzes will be unannounced.
Expect approximately five quizzes
during the semester. I will drop
your lowest quiz grade.
Over the course of the semester,
each student will keep a course journal. Use your journal
to write about ideas and feelings you have regarding
course material. Please feel free to use your journal
to explore perspectives you don=t feel comfortable discussing
in class.
Journal entries will give you the
opportunity to react to the concepts
and theories about gender discussed in class
meetings and course readings. In addition, you
should use your journal to consider issues you might
encounter regarding gender and communication in popular
culture (films, magazines, television shows,
newspapers, music, toys, children’s books, cartoons,
the Internet, etc.) and in daily
interactions at home, work, and school. I will
post a list of possible journal topics on Blackboard.
Your journal may take a variety
of forms. I am open to any form you may choose.
For example, you might consider structuring journal
entries based on a series of statements: What I did.
What I learned. How I can use it. You might also use
a journal entry to discuss a particular quote about
gender and communication you find compelling. You might
write an analytical essay, a story, or a poem. Entries
may also be based on your discussion of visual material
from the realms of art and advertising. You might also
use your artistic talents to create images that address
course material. Finally, I encourage you to think of
your journal as a scrapbook that might include written
and visual materials from popular culture. I don't expect
you to cover each of the readings from class, but I
do expect you will react to 50% of them.
Please use a notebook or other bound book for your journal.
Journals may be handwritten. Journal entries are informal
though grammar, spelling, punctuation, and organization
do count in the grading process. I am most interested
in the seriousness and depth
of your engagement with course
material. In particular, I am looking for you
to critically and creatively apply course material to
your experiences and the world around you in ways that
are insightful and productive. As you consider writing
on a particular topic, you might ask yourself why you
believe the topic is an important one to address.
You should write at least
one journal entry per week. That entry should
be at least 250-300 words in length. You must directly
address course readings in at least 50% of these entries.
In addition, I will give you assigned
journal topics to write about at various points
during the semester. These will be IN ADDITION TO your
weekly entries and should also be 250-300 words in length.
We will discuss the journaling process
in class to clarify any questions or concerns that might
arise. I will collect and grade journals three
times during the semester.
The mid-term exam will include multiple
choice, true/false, short answer, and essay questions.
The exam will be based on class discussions and course
readings.
The final exam will be a comprehensive,
in-class short answer and essay exam. I will distribute
essay questions one week prior to the final.
You will be allowed to bring in notes, articles, books
and other resources to the exam. All essays MUST be
written in class.
| Class
Participation (15%): |
Learning is an active
process in which we all participate. Viewing learning
as an active process implies several significant distinctions
between many traditional classroom interactions and
what I hope this course will become for us. First, an
active process suggests the importance of understanding
and experiencing ideas as they relate to our
own lives, rather than just remembering a list of facts.
This course will provide us plenty of material upon
which to reflect as we consider the role of gender in
our lives.
Second, a process continually evolves
with no clear beginning or end. Hence, this course will
become a dialogue among all of us as we reflect upon
the material presented and its relevance to our experiences.
Such a conversation includes responsibilities to which
we must all agree. Clearly, our initial responsibility
includes being in class regularly.
But merely being in class is not enough. Being prepared
for class is also necessary. A quick reading of the
assigned material will do little to prepare for class.
An additional important responsibility
involves a willingness to be
open. Each of us will consider the thoughts and
ideas of others both in the readings and in class discussions.
If there are twenty of us in this course, then there
might be at least twenty different perspectives. No
one experience or standpoint is more valuable than any
other. You may not agree with the views expressed by
others in the course, but we must all agree to respect
each individual's right to have and share her/his own
opinions. Hearing and listening to the perspectives
of others should do nothing more than create greater
understanding of the diversity of experience in contemporary
society.
Finally, self-disclosure is not a
prerequisite for this class. You are not expected to
share intimate details of your life. But if you feel
comfortable doing so, you can expect your classmates
(and me) to respect your privacy. Any
personal information shared during this class will remain
private.
Simply stated, THIS IS YOUR CLASS
so your participation is essential! The more voices
heard the better. But don=t forget, quality matters.
Every so often, I will give you short creative assignments
that will be completed either in class or at home. These
assignments will be graded on a pass/fail basis and
will count toward your participation grade.
Grades are earned based on the following
scale:
A (94 and above):
Extraordinary
A- (90-93):
Exceptional
B+ (87-89): Superior
B (84-86):
Great
B- (80-83):
Very Good
C+ (77-79):
Good
C (74-76):
Average/Satisfactory
C- (70-73):
Below Average
D+ (67-69): Inferior
D (64-66):
Unsatisfactory
D- (60-63):
Very Unsatisfactory
F (59 and below):
Unacceptable and Failing
You are expected to attend each and every class.
Of course, we all have lives beyond this class. Given
that reality, each person receives one
complementary absence. I don’t need to know
where you were or why you couldn’t attend class; I
will assume you had a perfectly good reason. However,
if you are absent more than once, I reserve the right
to lower your grade by one
letter grade for EACH additional absence. Bottom
line: if you miss more than one class, you probably
want to talk with me.
Assignments are due at the beginning of the class
period. Late assignments will not be accepted. There
are no make-up quizzes.
If you know that you will be unable to take the mid-term
exam or final exam on the scheduled date, you must
make arrangements for a make-up exam at
least TWO WEEKS in advance. Exam make-ups due
to illness or emergency will be considered on a case-by-case
basis.
I am ready, willing, and able to help you with your
questions and concerns regarding the course. Please
feel free to see me during my office hours, to call
me at 641-4106, or to email me at bjago@comcast.net.
Additionally, the Learning Center provides tutoring
services. I strongly encourage you to take advantage
of the resources available there. You can reach the
Learning Center at 641-4113.
UNH’s Student Code of Conduct and Judicial Process
states that, “community standards of behavior are
intended to preserve and protect
the University’s educational mission of teaching,
research, and public service, as well as promote every
student’s academic achievement and personal development.
To attain these aspirations, students must live, work,
and learn in an environment
of civility and respect where both rights and
responsibilities are deeply valued and highly cherished.”
In light of the Student Code, the following rules
are in effect for this course:
1. The use of cell phones or pagers during class
is not allowed. Please turn them off for the duration
of class meetings.
2. Disruptive conversation is forbidden. If you aren’t
talking about course material, you shouldn’t be talking
during class.
3. Please come to class on time. Lateness
will not be tolerated.
4. Cheating, plagiarism, or other forms of academic
dishonesty are strictly forbidden.
Violations of the above rules will be handled on
a case-by-case basis. Penalties might include: a reduction
in your class participation grade; a failing grade
on an assignment; a failing grade for the course;
or a formal charge resulting in University disciplinary
proceedings. I reserve the right to ask any student
to leave class if his/her behavior disrupts the educational
process.
W Sept 8: Course Introduction:
Communication, Gender, and Culture
READ:
-Introduction and Chapter 1 in Wood
-Maggie Jones, “The Weaker Sex”
WRITE: Weekly Journal
Entry #1
W Sept. 15:
Theory: Sex and Gender
Guest Speaker: Dr. Steve Pugh, Associate Professor
of Biology, UNH Manchester
READ:
- Chapter 2 in Wood
-Andrew Sullivan, “The He Hormone” (Assigned
Journal Entry #A)
-Anne Fausto-Sterling, "The Five Sexes Revisited"
-Gloria Steinman, "If Men Could Menstruate"
IN-CLASS FILM: The Smell of Burning Ants
WRITE: Weekly Journal Entry
#2
Sept 22: Politics
of Gender
READ:
- Chapter 3 and Chapter 4 in Wood
-hooks vii-24
-Elizabeth Cady Stanton, “The Solitude of Self”
-Michael Messner, "Men and Masculinities” (recommended)
IN-CLASS FILM: Get On The Bus
WRITE: Weekly Journal Entry
#3
W Sept 29: Language
READ:
- Chapter 5 in Wood
-Dale Spender, Extracts from Man Made Language
IN-CLASS FILM: The Vagina Monologues (Assigned
Journal Entry #B)
WRITE: Weekly Journal Entry
#4
W Oct 6: Nonverbal
Communication
READ:
-Chapter 6 in Wood
-hooks, 31-36
-Stephen S. Hall, ABully In The Mirror@
-Ray Birdwhistell, "Masculinity and Femininity
As Display"
WRITE: Weekly Journal Entry
#5
DUE: Journal Due (#1-4 AND A-B)
W Oct 13: Mid-Term Exam
W Oct 20: Family
READ:
-Chapter 7 in Wood
-hooks, 72-76
-Helen Cordes, "There Is No Such Thing As A Mothering
Instinct"
-David Popenoe, "Modern Marriage” (Assigned
Journal Entry #C)
WRITE: Weekly Journal Entry #6
W Oct 27: Close
Relationships and Sexuality
READ:
-Chapter 8 in Wood
-hooks, 85-92
-Benoit Denizet-Lewis, “Friends, Friends With Benefits
and the Benefits of the Local Mall” (Assigned
Journal Entry #D)
-Robert Jensen, "Patriarchial Sex"
-Boston Women's Health Collective, "Sexuality"
in Our Bodies, Our Selves (recommended)
IN CLASS MUSIC: “Sex Songs”
DUE: Weekly Journal Entry #7
W Nov 3: Gender
in Education
READ:
-Chapter 9 in Wood
-Adrian Nicole LeBlanc, "The Outsiders"
-CBS Worldwide, "The Gender Gap: Boys Lagging"
-Susan Faludi, "The Naked Citadel" (recommended)
IN CLASS FILM: Mean Girls
WRITE: Weekly Journal Entry
#8
W Nov 10: IN
CLASS FILM: Boys Don’t Cry (Assigned Journal Entry
#E)
Nov 17: Gender and the Media
READ:
-Chapter 11 in Wood
-hooks, 31-36
-Jennifer Bleyer, “Cut and Paste Revolution”
IN-CLASS FILM: Tough Guise
WRITE: Weekly Journal Entry
#9
DUE: Journal Due (#5-8 AND C-D)
W Nov 24: Gender
and Power
Guest Speaker: Sara Kelsea, Outreach Coordinator,
Sexual Harassment and Rape Prevention Program (SHARPP),
University of New Hampshire, Durham NH
VISIT:The SHARPP Website at: http://www.unh.edu/sharpp/index.html
READ:
-Chapter 12 in Wood
- hooks, 61-71
-NH Commission on the Status of Women, “A Legal Handbook
For Women in New Hampshire”
-John Stoltenberg, "Why I am Not A Rapist!= Why
College Guys Are Confronting Sexual Violence"
-Paula Kamen, "Acquaintance Rape Revolution and
Reaction" (recommended)
-Elana Zeide, "Interviewing the Vamp: Camille
Paglia speaks to the Journal" at http://www.yale.edu/yje/paglia.html
(recommended)
-U.S. Department of Justice, "Violence Against
Women": http://www.ojp.usdoj.gov/bjs/abstract/femvied.htm
(recommended)
WRITE: Weekly Journal Entry
#10
W Dec 1: Gender
Transformations and Queer Theory
READ:
- “Epilogue” in Wood
-hooks, 110-118
-Beniot Denizet-Lewis, “About a Boy Who Isn’t” (Assigned
Journal Entry #F)
-Eve Kosofsky Sedgwick, “Gosh, Boy George, you must
be awfully secure in your masculinity”
-Lois Gould, “X: A Fabulous Child’s Story” (recommended)
IN-CLASS FILM: You Don't Know Dick
WRITE: Weekly Journal Entry
#11
W Dec 8: IN
CLASS FILM: Gaudi Afternoon
Journal Due (#9-11 AND D-F)
Exam Essay Questions Distributed
W Dec 15: Final Exam
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